New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),   Related Paintings of Elioth Gruner :. | Afternoon, Bondi | Misty Landscape | Mingoola Valley | Mingoola Valley | Spring Frost |
Related Artists:
Eugene Guerard
Austrian-born Australian Painter, 1811-1901 was an Austrian-born artist, active in Australia 1852-1882. In Australia this artist is sometimes incorrectly referred to as 'Eugene'. Born in Vienna, von Guerard toured Italy with his lover/ather from 1826, and between 1830 and 1832 resided in Rome, where he became involved with the Nazarenes, a group of German expatriate artists. From around 1839 to 1844 he studied landscape painting at the Dusseldorf Academy, and travelled widely. Von Guerard's personal artistic style was formed by the heritage of Claude Lorraine, Nicolas Poussin and Salvator Rosa,
Christen Dalsgaard
(October 30, 1824-February 11, 1907), Danish painter, was born on the Krabbesholm estate on the fjord near Skive, and was son of the estate owner, Jens Dalsgaard.
Hans Cranach
(ca. 1513-1537), also known as Johann Lucas Cranach, was a German painter, the oldest son of Lucas Cranach the Elder. German art historian Christian Schuchardt, who discovered his existence, credits him with an altar-piece at Weimar, signed with the monogram "H. C.", and dated 1537. He died at Bologna in 1537. Luther mentions his death in his "Table Talk", and Johann Stigel, a contemporary poet, celebrates him as a painter.